By Paul Durcan
Изд-во:Toledo Museum of Art
Коллекция работ европейских художников The Toledo Museum of paintings.
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R. , p. — p. 154). style. Dreesmann, 195 1, 111, p. 759, repr. opp. p. 763; De Haagse School, Rotterdam, 1968, 1, de Gruyter, pp. 15, 17, 28, in, no. 16, repr. (as ca. 1869). FRANCOIS BOUCHER This picture was painted after 1883, the date of the Hoogesluis Bridge shown in the center (F. Lugt, letter, May from the Amstel Rowing and Club the Amstel Hotel, completed in 1867, appears on the right. 1961). In this view Sailing 1703-1770. French. First studied with his father, then with Francois Lemoine and the engravers L.
CORTONA 1 596-1669. Italian. Born Pietro Berrettini at Cortona, where he studied with Andrea Commodi, with whom he went to Rome in 161 2/1 3. First worked there for the Sacchetti family, but was soon patronized by the powerful Barberini family for whose palace he painted his greatest work, the ceiling of the Salone. Except for a trip to Florence and Venice in 1637 and work in Florence for the Medici, 1640-47, he remained in Rome. As a painter and also as an important architect he was one of the founders of the Roman High Baroque.
1521-24. A copy of the man is in the Johnson Collection, Philadelphia Museum of Art; the present location of a copy of the woman (Friedlander, 1972, pl. 124) is unknown. A coat of arms on the back of the Toledo man's por- him trait identifies 1633 Claude made record drawings of his paintings, with notations relative to dating and patrons, in the Liber Veritatis (British Museum). Claude's draw- Beginning in ing in the Liber (no. R. ("done by Claude The Venetian patron who commissioned Rothlisberger (1961), who it is first dates the painting 1641 based landscape with a bacchic theme.