By Rüdiger Safranski
From Publishers Weekly
This ebook isn't a standard philosopher's biography delivering a good stability of lifestyles and proposal, yet really a wealthy interpretation of Nietzsche's philosophy because it advanced in the course of his lifestyles, with a coda tracing his effect after his dying. Biographical info are sparing: neither Nietzsche's beginning nor dying is defined, and there are few juicy bits approximately his ardour for Lou Salomé. many of the publication is a interpreting of Nietzsche's constructing rules, starting together with his autobiographical sketches in highschool and carrying on with chronologically from his early attachment to Schopenhauer via his hopes for and sadness in Wagner's tune drama, such nice achievements as first light and hence Spoke Zarathustra, and his final works prior to his descent into insanity. to shut, there's a bankruptcy at the other ways Nietzsche motivated 20th-century artists, the Nazis, Heidegger, Foucault, Rorty and others. all through, definite topics recur, elucidated sympathetically yet with "ironic reserve," together with the dying of God, the divided self, the desire to energy, everlasting recurrence, philosophy as artwork and fact as energy play. Safranski (Heidegger: among stable and Evil), in transparent English from Rutgers college Germanist Frisch, brings out contradictions and tensions in Nietzsche's proposal with no brushing aside him; to the contrary, Safranski sees Nietzsche as a philosopher "who prepared his gardens of conception in the sort of method that anybody looking for their vital arguments could nearly necessarily fall flat on his face," yet who leads one to come profitably to "[o]ne's personal thinking." the writer bargains no precis conclusions, who prefer to go away Nietzsche's philosophical biography open, as "a tale with no an end." Safranski has made a beneficial contribution to that tale, notwithstanding it will likely be of curiosity in most cases to these with an curiosity in attractive the paintings directly.
Copyright 2001 Cahners company info, Inc.
--This textual content refers back to the Hardcover edition.
From Library Journal
With remarkable insights and bold scholarship, Safranski, who has formerly written approximately Heidegger and Schopenhaurer, the following makes an immense contribution to figuring out and appreciating the lasting value of Friedrich Nietzsche (l844-l900). From his ardour for Greek antiquity to his sadness with the Bayreuth premier of the hoop tetralogy, Nietzsche is gifted as a sad hero who recommended overcoming cultural mediocrity and simplistic materialism whereas conscientiously pursuing highbrow enlightenment and new values. Safranski emphasizes the philosopher's Heraclitean-Dionysian worldview of ongoing flux and pervasive swap. This entire learn analyzes the affects of track, mythology, Schopenhauer, Wagner, and Darwin at the improvement of Nietzsche's iconoclastic rules and demanding views. Safranski devotes sections to a serious dialogue of the long run overman and the cosmic will to strength. quite vital is bankruptcy 10, which makes a speciality of Nietzsche's relevant inspiration of the everlasting recurrence of an analogous universe. Nietzsche himself included his daring imaginative and prescient into an confirmation of existence when it comes to human creativity inside of artistic nature. Safranski's amazing, level-headed, and exact philosophical biography of Nietzsche is strongly advised for all educational and public libraries. H. James Birx, Harvard Univ., Cambridge, MA
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Extra info for Nietzsche A Philosophical Biography
48. That Marx married 'the girl next door' is a widespread, but unfortunately inaccurate, impression. 49. Cf. the very small inheritance left by Jenny's mother in 1856. For this and other details, see H. Monz, 'Unbekannte Kapitel aus dem Leben der Familie Ludwig von Westphalen', Archiv fiir Sozialgeschichte (1968). 50. 51. 52. 53. 54. 55. Eleanor Marx, 'Karl Marx', Die neue Zeit (May 1883) p. 441. Heinrich Marx to Marx, MEW, Ergsbd. [suppl. ] 1 617. MEGA 1 i (2) 7. MEGA 1 i (2) 194. Ibid. Heinrich Marx to Marx, MEW, Ergsbd.
8. 77. For a lengthier discussion of Marx's poems than, perhaps, they merit, see A. Cornu, Karl Marx et Friedrich Engels (Paris, 1955) pp. ; R. Payne, Marx (London, 1968) pp. ; P. Demetz, Marx, Engels and the Poets (Chicago, 1967) pp. 47 ff. These essentially immature literary efforts should not be taken as evidence of Marx's capacities in this field; on the contrary remarks scattered throughout his later writings show that he had the ability to be a first-class literary critic. 4° TRIER, BONN AND BERLIN 41 83.
D. Rjazanov and V. ) I i (2) p. 242 (hereinafter referred to as MEGA). 7. F. Mehring, Karl Marx (London, 1936) p. 3, is mistaken on this point. 8. For details, see A. Kober, 'Karl Marx, Vater und das napoleonische * 50 KARL MARX: A TRIER, BIOGRAPHY Ausnahmegesetz gegen die Juden, 1808', Jahrbuch des kfflnischen Geschichtsverein, xiv (1932). 9. K. Marx, 'The Eighteenth Brumaire of Louis Bonaparte', in K. Marx and F. Engels, Selected Works (Moscow, 1935), 1 247 (hereinafter referred to as MESW). 10.