Black & white & noir: America's pulp modernism by Paula Rabinowitz

By Paula Rabinowitz

Black & White & Noir explores America's pulp modernism via penetrating readings of the noir sensibility lurking in an eclectic array of media: place of work of warfare details images, women's experimental movies, and African-American novels, between others. It lines the darkish edges of cultural detritus blowing around the postwar panorama, discovering in pulp a political conception that is helping clarify America's fascination with lurid spectacles of crime. we're acquainted with contemplating noir as a movie shape popularized in video clips like The Maltese Falcon, the massive Sleep, and, extra lately, Quentin Tarantino's Pulp Fiction. however it can be, Paula Rabinowitz argues, an street of social and political expression. This ebook bargains an unheard of old and theoretical assessment of the noir shadows forged while the media's glare is concentrated at the unseen and the unseemly in our tradition. via far-ranging discussions of the Starr record, videos reminiscent of Double Indemnity and the large warmth, and figures as a variety of as Barbara Stanwyck, Kenneth Fearing, and Richard Wright, Rabinowitz unearths in movie noir the illustration of contemporary America's try to submerge and masks its violent background of racial and sophistication anatagonisms. Black & White & Noir additionally explores the speculation and perform of stilettos, the ways that women within the Nineteen Fifties considered movie noir as a mystery language approximately their moms' pasts, the intense tone-setting pictures of Esther Bubley, and the smutty element of social staff' case reports, between different unforeseen twists and provocative turns.

Show description

Read or Download Black & white & noir: America's pulp modernism PDF

Best film & television books

Heartland TV: Prime Time Television and the Struggle for U.S. Identity

Winner of the 2009 Society for Cinema and Media reports Katherine Singer Kovacs booklet AwardThe Midwest of renowned mind's eye is a "Heartland" characterised through conventional cultural values and mass industry inclinations. even if forged certainly —; as real, pastoral, populist, hardworking, and all-American—or negatively—as backward, narrow–minded, unsophisticated, conservative, and out-of-touch—the fantasy of the Heartland endures.

TV FAQ: Uncommon Answers to Common Questions About TV

Unusual solutions to universal questions on TV'Is television dumbing us down? ', 'what is a precinct drama? ', 'why does all television glance an identical? ', 'has television replaced politics? ', 'who regulates TV', 'is television comprehensive? ' audience and scholars of television have a fit interest concerning the medium and ask every type of common questions on it, yet you should glance not easy to discover the solutions.

Saturday Night Live, Hollywood Comedy, and American Culture: From Chevy Chase to Tina Fey

Saturday evening reside, Hollywood Comedy, and American tradition sheds new gentle at the ways that Saturday evening stay s confrontational, boundary-pushing strategy spilled over into movie construction, contributing to a few of the most important hits in Hollywood historical past, equivalent to nationwide Lampoon s Animal condo, Ghostbusters, and Beverly Hills Cop.

Theorizing World Cinema

This groundbreaking and leading edge publication is ready where of global Cinema within the cultural imaginary. It additionally repositions international Cinema in a much wider discursive house than is generally the case and treats it as an item of theoretical enquiry, instead of as a advertisement label. The editors and uncommon workforce of individuals, together with Laura Mulvey, John Caughie, Geoffrey Nowell-Smith, Ashish Rajadhyaksha, and Paul Julian Smith, provide more than a few ways and case reviews whose organizing precept is the constructing notion of polycentrism as utilized to cinema.

Additional resources for Black & white & noir: America's pulp modernism

Example text

Bubley’s photographs remained largely unpublished during and after the war years, unusual for the project whose purpose was to broadly underscore a national sense of purpose. Her disturbing intimations of female eroticism, authority, and autonomy were perhaps too unsettling. Nevertheless, looking at the photographs now, it seems clear that she was inventing the icons of female pulp modernism—on the one hand, a kind of sleepwalking existence of endless sexual deferral; on the other, eventual economic self-sufficiency.

Near Moorehaven, Florida, 1939. figure 15. , Sept. 1943. Rabinowitz PT1, CH 01 3/18/02 5:06 PM Page 46 Black: Rooms and Rage Her trip began by heading through Pennsylvania to the Midwest. She is attentive, as she was in the Sea Grill, to evolving sexual dynamics opened up by the war. ”22 Stretched out on a wooden bench, her purse strap linked around her arm, shoes on the black-and-white linoleum below her feet, she dozes after reading the newspaper opened on her small suitcase. These women, coiled in exhaustion, are, as curator Andrea Fisher notes, open to inspection; yet, lost in sleep, they maintain their dignity.

Phyllis Dietrichson descends her staircase in anklet and spiked slippers; Thelma Jordan stands in District Attorney Cleve Marshall’s doorway in her black pumps. Stanwyck’s iconic poses in this footwear, as well as in her black shades or with her black Bakelite telephone, are accessories to the crime of female desire. The chapter analyzes how gender creates difference in and through objects by tracing philosophical, political, and psychoanalytic discussions of footwear. Objects tell stories. In the 1960s, when feminists argued against women’s position as sex objects, demanding subjectivity, objects acquired a lousy reputation.

Download PDF sample

Rated 4.82 of 5 – based on 37 votes