Ableton Live 4 Power! by Chad Carrier

By Chad Carrier

It is a particularly an outstanding booklet to at least one) assist you examine reside four larger, 2) recuperate in-depth assurance of a few previous and new components in dwell, three) see new methods of operating with dwell, and four) have a superb advisor to complement the Ableton supplied manual.

I've been getting much out of stay seeing that reside three, and this ebook has been a useful gizmo in fast studying the various new good points of stay four, in addition to opting for up loads of nice information.

It's written good, and prepare for the person that desires to get loads of tutorial-style details, how you can use stay speedier and smarter, and get much more musical goodness out of Live.

Very satisfied i purchased this ebook, a simple five celebrity recommendation.

Enjoy!

Tom

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0, but are included as a reference for novice and intermediate digital audio studio owners. Topics such as wave editing, loop making, and sample manipulation are broken down so that you won’t have to seek out this information somewhere else. General audio computing tips, such as configuring your PC for audio, will help you make the most of any audio application you currently use and will only bolster your basic working knowledge of computer-based (digital) audio as musicians should understand it.

Multiply that out over a four minute song and you’ll get 42,336,000 bytes—roughly 40 megabytes of sample data. Downloading 40 megs of data can be quite an undertaking, especially if you’re confined to a dial-up Internet connection. So, to make transferring files easier, the files are compressed before being sent. The process of compression can vary from protocol to protocol. The most popular format, MPEG-1, Layer-3 (MP3), is what is called “lossy” compression. In an effort to reduce the file size, an MP3 encoder will remove what it considers to be extraneous data and will compact the remaining audio data into a file that is roughly a tenth the size of the original.

Can you see where I’m going with this? Live eliminates the messy patch bay, the nightly set-up and teardown of elaborate effects and amplifiers, and the need to carry your vinyl. Live can even save your entire performance for later editing. To say Live is a replacement for tried-and-true analog studios (or a substitute for your obnoxious guitar player) is to miss the point entirely. What is certain is that Live cannot only survive in today’s music-making environment, but thrive. What’s more, Live is only beginning to realize its full potential.

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